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Philip Aghoghovwia on Nnimmo Bassey’s We thought it was oil but it was blood

Poetry and Activism as (New) Modes of Eco/Environmental Inflections in Nnimmo Bassey’s We thought it was oil but it was blood – Philip Aghoghovwia

In We thought it was oil but it was blood Nnimmo Bassey walks through a thin line between poetic commitment and socioenvironmental activism in bringing into the public sphere issues of sociocultural and environmental justice. The poetry collection carries the tone of subversion and defiance and the mood of anger provoked by a deep sense of denial, a collective deprivation of the people from access to the commonwealth which the oil brings. And the environment too, which suffers pollution as a result of mindless drilling of pipes into what he calls “mother earth”. Bassey creates a text that is at best poetic activism and at worst an environmental rights manifesto. His call for environmental justice at this conjuncture of on-going conversations on climate change indicts the oil extractive industry. The anthology, which Vanessa Baird describes as “dedicated to campaigning for environmental justice” (39), is a creative effort to capitalise on Bassey’s already established stature as an environmental rights activist. He poetically draws attention to corporate lawlessness and environmental crimes inflicted on local landscapes that bear fossil fuel for the oil extraction industry. His account of these spaces of environmental scrubland in the oil industry is concrete, for he has travelled throughout these parts to see first-hand how oil and other big businesses have destroyed local landscapes.

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